Banksy in 'Exit ThroughThe Gift Shop 'Film Essay

Banksy in 'Exit ThroughThe Gift Shop 'Film - Essay Example Maybe Thierry became a bit arrogant when his hero Banksy suggests to him to focus on his own art and leave the film for him to finish. I think Banksy said that to gain control over the documentary as he wanted to make it into a real film, and not just a picture collage like Thierry’s effort Life Remote Control was. But Banksy didn’t foresee that Thierry would get crazy with his own ambitions and organised a massive exhibition with work he didn’t produce himself, but making a lot of money with it nevertheless. It’s ironic how this fateful event gave the documentary itself a new direction, or story to tell. But documentaries are about real life and life is unpredictable. This means a documentary can turn out differently than the filmmaker initially imagined it to be. I think this is what happened to Banksy. He seemed to be annoyed of Thierry making money, and pretending to be an artist, which is understandable, especially as Banksy is a great and innovative artist himself, who worked hard for his success and therefore deserves it. However, he also shows sympathy for Thierry (by explaining that his compulsive filming relates to him losing his mother as a child). I believe that Banksy didn’t mean to ‘destroy’ Thierry’s reputation, but to show that our society accepts art too easily as art, without questioning the artist and his real motivation. By doing this, Banksy also introduced a new style to documentary filmmaking-the object becoming directly involved in the filmmaking process. It will be interesting to see if other artists (including musicians, actors, filmmakers etc) who are subjects of documentary films will take a more active part in the filmmaking processes in the future. Banksy's Exit Through The Gift Shop – The Director's Role in a Participatory Documentary Film Exit Through The Gift Shop is a story full of irony and role reversals between amateur documentary filmmaker Thierry Guetta and accl aimed street artist Banksy who during the filmmaking process discloses Guetta to be an obsessive copycat artist. The film's narrative starts with portraying street artists and Banksy at work. The focus shifts onto Thierry's mission to become a successful artist himself when Banksy consciously initiates a role reversal from being the subject of the documentary to becoming its director. Film theorist Bill Nichols explores the influence documentary films can have: â€Å"Documentaries of social representation†¦are intended to have an impact on the historical world itself and to do so must persuade or convince us that one point of view or approach is preferable to others† (3). Banksy's move to take the camera from Thierry and turn it on him is therefore clever and calculated. By taking control over the filmmaking process, Banksy could fulfil his own agendas regarding the messages he wanted to convey to an audience. To achieve this, Banksy successfully combined several documen tary filmmaking techniques as defined by film theorist Bill Nichols (33): the ‘participatory mode’ (director being part of the action), the ‘expository mode’ (using so-called 'voice-of-God' narration) and the ‘reflexive mode’ (revealing and reflecting on documentary film-making practises that are usually hidden from an audience).1 I identified Banksy's four main agendas / messages he aimed to convey

Family assessment paper Essay Example | Topics and Well Written Essays - 2000 words

Family assessment paper - Essay Example This is the Haddad family – a four-member Muslim-Arab family presently residing in Perth, because Alim, the father, was sponsored by the Ministry of Higher Education to finish nursing (2009 to 2011). The family’s type form, is monogamous on the basis of marriage; a family of changing residence, on the basis of residence; a nuclear family, on the basis of structure; a patrilineal family on the basis of ancestry; and a conjugal family, on the basis of the nature of family relations among its members (Ellwood, 2004, pp. 45-55). Like other Muslim families, every Friday the family meets with the Islamic community in the mosque to perform their prayer. Every weekend, they visit tourist places in Perth: Perth Zoo and Wildlife Parks, Aquarium of Western Australia, Cohunu Koala Park, Mount Eliza, and Kings Park. They love visiting places together: having some time on the riverside to picnic and fish, going to beaches to swim and relax, and visiting caves to wonder. The Margret River and Albany are their favorite as these are only around 300 kilometers far from their home. They also enjoy going to the hills visiting the farms there to collect vegetables and fruits. Such privileges the family could afford as they are financially well-off. Following the Developmental Approach, this family is in its third stage characterized as â€Å"families with pre-school children† (McMurray, 1993, p. 137). Today, the family has somewhat adjusted to the demands of this stage in a social context foreign to the family. First, the family is well-adjusted to their new environments physically and socially. The daughter, no longer cries when fetched by the school bus, as she has found her own friends in the school. The mother does her work at home more relax unlike before, as she gets used to the changing demands of her family. To closely supervise her hyper-active three-year old son, Abia sometimes seeks her friendly neighbor’s help